The theme of ceramic glazed figure painting is people, and the first thing to face is the people themselves. All human thoughts and emotions are based on human form. The so-called 'God is transmitted by form'. To achieve "wonder" and "wonder" in one's own thoughts and the spirit of the depicted object, one must first refine and select based on the appearance characteristics of the image. The true purpose of 'written form' is not to serve 'form', but to conceptualize and 'specimen' the description of form. On the contrary, refinement and selection should be made on the basis of "form", strengthening its inherent characteristics to make the image more vivid and intense. Secondly, as a creator of ceramic painting, one should use their own thoughts and soul to comprehend and approach the inner spirit of objects. That is, to achieve the fundamental expression of image by "seeking goodness with heart" and "writing the spirit with form". In terms of character cognition, human form is composed of the anatomical structure of bones and muscles, but human spirit does not exist in the anatomical structure of bones and muscles, but in the activities of thoughts and emotions. The midline of ceramic glazed figure painting is a way for painters to express their emotions, with freehand and and lyrical styles. Firstly, lines can be reflected in the shape of characters. Lines, as an important expressive language of form, are used to express the aesthetic spirit of both the external and internal aspects of things. In ceramic painting, if the brush is used properly, the image will be visualized, and "form" will be "spirit". The improper use of 'form' does not exist, 'form' does not exist, and 'God' has no attachment. Another function of lines is lyricism and expressiveness, which are the main means for ceramic painters to express their inner world. Different painters have different pursuits in art, so their ways of expressing objects will also be different. If they are asked to depict the same thing or shape, the result will be different because lines are symbolic and there are some subjective things inside.
There are many factors that affect the creation of ceramic glazed figure paintings, such as the continuation of traditional spirit, the updating of contemporary concepts, the exploration of visual language, and the mastery of ceramic glazed techniques. These factors will become influential factors in the creation of contemporary ceramic glazed figure paintings. Ceramic glaze painting, strengthening colors is very important, which can increase the visual impact and infectiousness of the picture. Because color is an international language, it is also easily accepted by the public. The color rendering of ceramic glazed figure painting requires the unity of subjectivity and objectivity, that is, the unity of distinguishing between chaotic colors and chaotic colors. The painting glaze of contemporary ceramic art in home furnishings attaches great importance to subjectivity. The main theory in color is the rich color "class", which is the result of our historical culture and philosophy. This does not mean that contemporary ceramic artists ignore the true essence of things, but rather have a deeper understanding of the essence of objective things. Objective images are the foundation, and the process of painting cannot be a mechanical replication process. Modern ceramic glaze painting is an art that transcends reality, striving for harmony, unity, summarization, and a rhythmic aesthetic. Typical details can make the picture full and vivid, and typical details are indispensable in ceramic glazed figure paintings. In addition, the creation of ceramic glazed figure paintings should be coordinated with motion and stillness, with motion being the main focus and stillness being relative. People move, animals move, mountains move, trees move, rocks move, birds move, flowers move. The creation of ceramic glazed figure paintings must achieve the combination of form and meaning, form and stillness, and inner and outer refinement in order to capture its essence.
